To fully study Jun kiln porcelain, we must understand the historical environment where Jun kiln. As mentioned above, the prosperity of Jun kiln and Song Huizong closely related to his aesthetic hobby, directly reflected in the shape of Jun kiln porcelain. Such as respect, turn and other antique ancient bronze modeling, and Song Huizong related to the ancient addiction, washing and other stationery is related to his love of painting and calligraphy, and flower pots and so on is decorated with Gen Yue garden with a specific product.

In addition, Song Jun kiln porcelain shape is still a bowl, plate, bottle, light care, pillow and so on. Respect, wash and flower pots are Jun kiln's main products, bowls, plate production less, and Yuan Dynasty Jun kiln products, bowls, plates become the main products.

Second, the tire glaze Song Jun kiln porcelain carcass heavy, the color is light gray or gray, because the firing temperature is high, so the carcass hard, percussion when issued a sweet stone. Yuan Jun carcass color mostly yellow and white, although the percussion also made the sound of stone, but in the sense of giving a sense of rough and loose.

Jun porcelain porcelain glaze changes are very rich, gray and blue, white, blue, rose purple and other colors, the glaze layer thicker, no dazzling glass texture, similar to today's matt glaze, giving a thick and not overflow , Yan and not jump feeling. Contemporary new imitation Jun kiln products, no matter how perfect imitation, but the kind of subtle enchantment but not imitate, always gives a sense of blunt. This is because the new imitation product glaze formula in the glass material content is too high, and the firing process has failed to achieve Song Jun level, it can only look like.

Past antique businessman in a jargon: "Jun kiln without red, life to be poor." Note that Jun kiln relics, no erythema, the price is much lower than with erythema. In fact, comment on the value of kiln porcelain, and can not simply to glaze conclusion, red glaze is hard to burn, but also the first large-scale production of Jun kiln, its gorgeous erythema is indeed pleasing to the eye. But no erythema, such as the Beijing Palace Museum of the month of the white glaze out of the halberd, month white glaze, etc., although there is no erythema, but the solemn shape, fine workmanship, still regarded as national treasures of cultural relics.

Third, Ming Wenjun kiln porcelain engraved with "one" to "ten" digital inscriptions, not all Jun kiln porcelain have this inscription, which is mainly seen in respect, plate, pot, Lian and wash above the shape. The inscriptions are burned before engraved. According to archaeological findings, the number of matching and engraved, the largest one, the smallest on the 10th.

In addition, the Imperial Palace in the old possession of kiln porcelain porcelain palace also use inscriptions and Qianlong imperial poems, mostly for the Qing Dynasty palace craftsmen carved. The inscriptions are "Yang Xin Dian" "Changchun Bookstore" "Chonghua Palace" "Jingxuan Xuan" "Yingtai" "Han Yuan" with "window" "Shuifang vegetarian" "virtual boat" Gold tires jade with "" Jianfu Palace "" condensate Hall with "and so on. Font neat, carved exquisite. Taipei National Palace Museum possession of a Jun kiln pillow, engraved Qianlong imperial poem one: "Ruzhou Jianqing kiln, Zhenhua Chai Zhou style. Chai is no longer available, Ru Shang Feng one is the pillow still North Song, its shape Xiao Wishful. Color with a gentleman Germany, 睟 face reflected in the back. Although the Ken Ken is not no, Mu Ran to expensive.

This porcelain set up as follows, foot in the abandoned. Gu Gu and cheap now, the human rate if it is. Then Sri Lanka also said that Lu said its meaning. Dade is not overtime, small German access. Color agate glaze, like obliterate smoke anger. Pass through the hole through the hole, Yi God flat bottom. I have since the clothes people, how many have this sleep soundly. "The poem after the title of" Qianlong Shu Shen Zhongyu Royal title. "Seal there are two, as" Bide "and" Long Run. "The poem for the Qianlong forty-one years (1776) made.In addition, Qianlong also in Qianlong Twenty years, forty-one years, fifty-seven years, respectively, wrote the poems of Yongjun kilns. Engraved poems are court artisans, is a "master", the font is handsome, descendants are difficult Imitation, which is the main point of identification.