Ladies and gentlemen, good afternoon

Can be with the Chinese and South Korean ceramic art exhibition opportunities, and fellow fellow to re-explore, know "contemporary Chai Jun Jun porcelain" this ancient and modern issues, exciting. For the contemporary Chai Jun Jun porcelain art to create a bright future, is the author's dream of things. Today, I hope to continue to expand the field of modern fire burning Jun porcelain, and modern fire burning Jun porcelain art creation, craft characteristics, artistic value of the content, with the teachers and friends to be a communication.

The first: on the definition of contemporary Chai Chai Jun porcelain, and the characteristics of modern fire burning Jun porcelain

Modern Chai Chai Jun porcelain is based on the modern creative concept, porcelain way and Jun porcelain material characteristics as the basis of elements, by Jun porcelain modeling, texture, connotation, modern fire burning process, creative elements, rich honest, quiet, deep Meaningful sensory effect. The resulting art is more rustic and natural. Modern firewood Jun porcelain works and the general fire burning Jun porcelain works of the difference is that the ashes and flames directly flee into the kiln, resulting in ash melting into a natural gray glaze. Whether it is inverted flame kiln or flat flame kiln, in the firewood furnace burned early made Jun porcelain works, are directly accept the flame surface and the back of the fire surface changes in the yin and yang and flame barbecue traces left. Especially in the art of ceramic aesthetic, it and the previous Jun porcelain and Ru porcelain works of art is very different. In terms of the nature of the art, the modern way of burning wood and the old "burning wood with wood burning Jun porcelain products" in the creative ideas and methods are completely different, with its own unique cultural characteristics. This kind of work and the general gorgeous bright Jun porcelain products is different: this Jun porcelain products color warm, rich layers, rough and powerful texture, with non-repeatable, and difficult to burn the kiln art results, emitting a simple, vigorous The beauty of the ancient humble. In the modern Jun porcelain art trend, the use of this burning method of Jun porcelain works, so that people from this primitive and rough flavor, get more real and lasting spiritual sustenance. This is also the modern fire burning Jun porcelain people fascinated by it, try to pursue the reasons.

The second item: on the modern fire burning Jun porcelain in the process of creating the role of the role of the furnace

In general, the modern furnace fire burning porcelain used in the process of the furnace, the framework can be divided into combustion chamber, kiln, flue, chimney four parts, often referred to as: diesel kiln. This kiln is usually built according to the author's own design. Modern firewood Jun porcelain art used by the construction of diesel kilns, not just a simple firewood furnace technology used by the furnace. For the mastery of the process characteristics of the diesel kiln, in addition to master the control of the firing temperature curve, the amount of ash effect, flame marks and other firing effect of the control, but also modern fire burning Jun porcelain creation process, can not avoid the topic. Chai burning Jun porcelain art creation related to the principle of burning kiln is: wood burning in the fire, the heat generated, ashes, the flame through the kiln, with the kiln in the kiln in the physical and chemical reactions, And produce a corresponding appearance of decorative effect. Then, the flammable flue gas is discharged from the chimney. The form of the firewood used in the creation of the modern firewood porcelain is determined by the flow path of the flame in the process of the fire burning of the firewood. It also determines the imprinting and artistic impression on the porcelain and Ru porcelain products. Directionality. More precisely, the modern Chai Chai porcelain creation process used in the kiln kiln will establish the modern Jun porcelain works of the kiln style. Therefore, the design of the modern furnace fire burning porcelain used in the design of the kilns must be: 1. conducive to combustion (including heating and insulation); 2. flame discharge path, whether it is side flame, flame or flame, are Should be conducive to the flame and ashes in the Jun porcelain body on the writings. To avoid improper design of the kiln room caused by: the temperature does not burn up, poor heat storage, the effect is not good, gray and fire can not retain, and so regret.

The Influence of the Furnace Technology of the Furnace Used in the Creation of the Modern Chai Chai Jun Porcelain on the Creation of Jun Porcelain and Ru Porcelain Works

In the past, when the kiln was used to burn kilns, the craft characteristics of Jun porcelain required between the green body and the green body, and it was necessary to set the corresponding distance. In order to allow the heat cycle average, and to ensure that the body will not stick each other together. But now the practice of firewood is sometimes just the opposite. Because the modern firewood porcelain products installed kiln, the installed kiln must be able to calmly simulate the flame in the kiln indoor flow, seriously consider the flow of the flame and the corresponding role of the work of the location and the location of the work mark marks the severity of the mark. Master the process characteristics of Jun porcelain firewood kiln, clearly know the effect of their work, and for each piece is about to be filled into the kiln body to find the appropriate location. But also to take into account the entire kiln air flow loose problem, carefully for the whole Jun porcelain firewood furnace burned to design the best results. Therefore, the modern Jun porcelain kiln often take a long time. Modern Jun porcelain firewood process decided: the process of loading kiln is a very important part of the creation of modern fire burning Jun porcelain!

Usually a three cubic meters of firewood furnace, often need a week of working time used to install the kiln. Where the distance between the fire hole and the green body, the position of the rear wall, the gap, the distance between the fire hole and the green body, the distance between the fire hole and the green body Size, sheds and works of adhesion; these are should be conside